Drawings for August and September

 

Life is good but life is busy....what a summer! It has gone by in a flash - a very hot flash at that - those temperatures were high. I have done my drawings but didn't get around to posting them again so here are two for August and September. My blog posts seem to be turning up like busses don't they ;o)

Nasturtiums   pencil and ink sketchbook   ©2026LisaLeQuelenec 

I grew nasturtiums this year in my veggie beds and found all the black fly went to the flowers and left the veggies alone so I will definitely be doing that again next year. This drawing was done before they arrived and inspired by the vivid colours I added a tiny amount of red.

Fern   pencil and ink sketchbook   ©2026LisaLeQuelenec 

My drawing for September is another from my garden. I found this lovely specimen growing behind the water butt. It must have survived because of the shade cast and the leak the butt had sprung otherwise I think it would have burnt to a crisp.   

I did find a couple more leaves that weren't in such good condition but they were perfect for inking up and taking some prints from. These lovely shapes will be something I come back to at a later date methinks.

fern prints in my nature sketchbook   ©2026LisaLeQuelenec 

2026 drawing project - plant forms for June and July

 

I seem to be experiencing some gremlins within my blog. For reasons that remain a mystery this post didn't publish last month and I seem to be unable to comment on mine or anyone else's blog. I haven't the foggiest why but hope it resolves itself soon. Fingers crossed that this post publishes....

This is the missing drawing from June for my drawing a month project. The same model as March's drawing but this time a top view.

Pine cone top view   sketchbook study in stages   ©2026LisaLeQuelenec

My drawing for July is below. Dandelions begun in Spring but only recently completed. The meadows were full of lush grass and dandelions back then - a very different story to now as everything is burnt, dry and dusty with the rather repetitive heatwaves.

Dandelion study   sketchbook page   ©2026LisaLeQuelenec

How beautiful was this? I couldn't fail to be inspired...

You can't stop the tide - mixed media

 

You can't stop the Tide I   mixed media on paper 14x14cm   ©2026LisaLeQuelenec

You can't stop the Tide II   mixed media on paper 14x14cm   ©2026LisaLeQuelenec

You can't stop the Tide III   mixed media on paper 14x14cm   ©2026LisaLeQuelenec

These three pieces started as collagraphs made a while back but there was something not quite finished about them so they were set aside. I recently discovered them again hidden in a folder and thought the time was right to revisit them. Adding mixed media to adjust tones and variating the spray splashing over the groyne has made a small sequence that I am much happier with. Over the years I must have spent hours watching and waiting for the perfect splash of sea spray and with these three pieces finished I feel the time was well spent, just like the time they spent waiting for their moment in the folder.

Available in my Folksy Store.

2026 Drawing project - Mrs Willmott's Ghost

 

Mrs Willmott's Ghost   sketchbook page coloured pencil and ink    ©2026LisaLeQuelenec

Eryngium giganteum, with the common name Miss Willmott's Ghost, is a species of flowering plant in the family Apiaceae. The short-lived herbaceous perennial thistle is native to the Caucasus and Iran in Western Asia.

Source: Wikipedia

Named after Ellen Willmott (1858 - 1934) who liked to secretly scatter seed, maybe the first guerrilla gardener, she certainly seemed like a character with an interesting life and a passion for horticulture.

I love this plant for it's barely there colour, almost luminescent tones, which makes a strong contrast against other plants. The specimens that I have drawn here were grown in my garden last summer and have dried to a hint of cream in colour. I am looking forward to seeing it again this year.

Mrs Willmott's Ghost (detail)   sketchbook page coloured pencil and ink    ©2026LisaLeQuelenec

2026 drawing project - honesty... silver dollars...lunaria and a pine cone

 

Honesty Silver Dollars Lunaria   sketchbook drawing mixed media   ©2026LisaLeQuelenec  

April's drawing (I am so late posting!) is inspired by a stem of Honesty that blew across my path as I walked down to the fields. It was dull grey winter time and this little stem shone like it contained all the light of the day - so beautiful. It has been standing in a bottle for a few months waiting for its turn to be drawn. It isn't until you start to closely observe that you see just how many colours are contained within it's luminous discs, I'm not sure I have done it justice but it was an absolute joy to try.

Now I am not sure what happened to March's drawing because I did post it but it seems to have gotten lost as it is not here now. Anyway, I will include it here;

Pine cone Drawing stages   sketchbook mixed media   ©2026LisaLeQuelenec

I used to draw pinecones frequently in the past, I love getting lost in the patterns but has been a little while since the last one. I thought you might like to see the stages of drawing that I use and below the final sketch.

 

Pine cone  mixed media in sketchbook   ©2026LisaLeQuelenec

Below is a bonus sketch; on a familiar stretch on a dog walk I came across this on the path. Either the remainder of something's lunch or maybe discarded by another dog  was this 'pinecone flower' another treasure bagged and stored away in a pocket to be drawn. The strange thing was that I'm pretty sure the nearest pine tree is about a kilometre away so this little flower had travelled a bit.

Pine cone  mixed media in sketchbook   ©2026LisaLeQuelenec

I will try to be a little more punctual for May!

A circular sketchbook - mixed media storms, waves & gulls

 

I started a new pocket sketchbook at the beginning of the year. I have prepped the pages with tissue some marked with ink by drying prints others with watercolour marks. Each page will have a composition made within a circle. I am hoping that I will learn things about composition from a change in format. I am allowing myself to spill outside of the circle as the mood takes me. I will probably stick to grey, indigo and white to take away the decision fatigue of choosing palettes. I like the consistency in these small sketchbooks when reviewing sketches over a longer period of time. 

I used to work within circles quite often in watercolour so it feels, at least to begin with, like I am revisiting old ground with new eyes. Of course the sea, as always is present and so too are the gulls that circle and swoop within my work. At least that is how it is starting although that isn't necessarily how the sketchbook will finish. It does rather fell like the start of a voyage in a way...

Circle sketchbook page   watercolour and mixed media   ©2026LisaLeQuelenec

Circle sketchbook page   watercolour and mixed media   ©2026LisaLeQuelenec

Circle sketchbook page   watercolour and mixed media   ©2026LisaLeQuelenec

Night Tide - collagraph variations

 

Night Tide    varied edition collagraphs    ©2025LisaLeQuelenec

One plate, an edition of 4 all, varied in the inking of the collagraph plate measuring 12.5x12.5cm.

One memory, a hot and humid evening watching summer storm clouds gathering across the bay. Metallic tasting air, an expectant silence.... then a sultry breeze and a rush back to the car before the storm broke and the rain fell in torrents. It is funny how a storm can stay with you for years, nestled away in your memory ready to be brought out and relived.

It feels quite apt to be posting about them now given the recent bit of weather the UK has been experiencing.

Night Tide - prints available at Folksy ©2026LisaLeQuelenec

The prints are available in my Folksy store.

Night Tide Artist Proof with mixed media ©2026LisaLeQuelenec

I tested the collagraph plate with these two proof prints and made a couple of adjustments before printing this small edition of four in blue black indigo ink. The six images together feel like they tell the story of that summer evening - each one a snap shot in time.

Night Tide Artist Proof with mixed media ©2026LisaLeQuelenec

Green Glass - mixed media

 

Green Glass   mixed media 18x12.5cm on canvas board   ©2025LisaLeQuelenec

For now the final piece in my wave watching, I know I will return soon to them soon and maybe I will go a little larger...

This piece is available in my Folksy Store in the Mixed Media Collection.

On a Teal Tide - mixed media

 

Above the inspiration for this set of paintings....one evening when the teal sea complimented the reflections of the setting sun. The warm colours vivid in my memory and in opposition to the brisk chill of the evening. It was nose bitingly cold and stunningly beautiful.

Below the sequence of how they were painted, in which I hope I have shown the movement of the tide.

On a Teal Tide I - IV   mixed media on canvas boards 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide I   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide II   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide III   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide IV   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

All four pieces are available individually in my Folksy Store, they can be found in the Mixed Media Collection. 

https://folksy.com/find/shop/seasidestudiosuk

On a Teal Tide I-IV   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

Surf Studies - mixed media on canvas boards

 

Surf Study I-IV   mixed media 10x10cm   ©2025LisaLeQuelenec

A series of surf studies in mixed media. My attempt to capture the energy and sequential movement of the waves as they make their way to the shore. ...trying not to overpaint and overstate... to keep the sketchiness of a glimpse.

 

mixed media monoprint sketches ©2025LisaLeQuelenec 

These mixed media monoprint sketches from the Ran's Net project have been lingering in my mind and provided the starting point.

Surf Studies I - IV stage 1 ©2025LisaLeQuelenec

I started by scaring myself, going straight in with the darkest tones. The froth of the waves are made by preparing the board with scrim fabric, the texture of which lends itself to the shapes I wanted to capture. I wanted to keep some of the warmth of bare linen in these 'sketches' and knew I would find it hard to not overpaint.

Surf Studies I - IV stage 2 ©2025LisaLeQuelenec

Stage 2, building up the colour and tones and deciding that I needed a little sky for the sea spray to fly against.

Surf Studies I - IV stage 3 ©2025LisaLeQuelenec

Stage 3, tightening up the tones, working their push and pull, layer upon layer. Painting can be quite similar to watching the tide in some ways - advancing, retreating, pushing forward, knocking back.

All four pieces are available in my Folksy store.

Dusk Deepened - collagraph and mixed media

 

Dusk Deepened I - IV   Mixed media and Collagraph  12.5x12.5cm ©2025

Using the same printing plate I have made four images, each different, by working further with acrylic and printing ink. Much like a view changing with progressing light, in each image I have tried to capture a progressing moment - like a burst shot by a camera. I am fascinated by the way the same view from the same position is never the same because of the changing light through weather and season, a kind of homage to Monet's Rouen Cathedral, haystacks and lily ponds in a way. I have been looking and appreciating their multiple variations lately. The first in the set of four is available in my Folksy Store.

Dusk Deepened I   collagraph and mixed media 12.5x12.5cm   ©2025LisaLeQuelenec

Smuggler's Moon - print and mixed media

 

Smuggler's Moon  print and mixed media 12.5x12.5cm   ©2025LisaLeQuelenec 

One of the prints made and rejected from the previous post was too dark and over inked so I used the print as the plate and ran it through the press with paper over (like tonking an oil painting in a way). This resulted in a reversed image with some pleasing subtleties of texture. I worked into it whilst still wet which gave a much softer and hazier finish. Once dried I could add a moon for a feeling of the winter nights to come. 

Available in my Folksy Store.

Gathering I - III collagraph and mixed media

 

Gathering I - III   collagraph and mixed media   ©2025LisaLeQuelenec

Small changes in the inking of one collagraph plate, a progression of light in one view with mixed media. I am enjoying working without colour for a while....I feel that I don't need the distraction but I wonder if that will change....

These are available at Folksy

Briny Blue - Ran's many moods

 

Three Stages of Briny Blue I  mixed media ©2025LisaLeQuelenec 

WIPs in one post don't give any idea of the time lapse in the making of them but here we are. So many ideas and pieces are flowing at the moment and I feel like I am running to catching up with myself. Both of these started as prints, then added watercolour and into acrylic. Lots of small layers and adjustments, tweeks here and there, backwards and forwardsing. 

Both pieces are available in my Folksy store.  There will be more to come...

Briny Blue I   mixed media   ©2025LisaLeQuelenec

Three Stages of Briny Blue II   mixed media ©2025LisaLeQuelenec

  Briny Blue II  mixed media ©2025LisaLeQuelenec

mixed media ©2025LisaLeQuelenec

Below the Brine - Ran's many moods

Below the Brine I   print and mixed media 20x21cm   ©2025LisaLeQuelenec

The ambiguity of the Ran myth intrigues me still. I am attracted to the relatable human quality of her moods...calm, playful, stern, raging... not many female characters are able to be more than one thing in mythology that I have read about - women are either good or evil, victims or villains, virgins or seducers - Ran could be any or all of these. I wonder if the oral tradition of these myths were still alive if her character would be more black and white or just as ambiguous. My hope would be the ambiguous - like the ocean able to change in a heartbeat - how much more interesting and realistic.

Three calmer and possibly more playful moods in Below the Brine but the net is still there glinting and dazzling, waiting, biding its time or with the potential to change?... 

Below the Brine II in three stages   print and mixed media 20x21cm   ©2025LisaLeQuelenec

Below the Brine III   print and mixed media 20x21cm   ©2025LisaLeQuelenec

Deeply Darkly I & II - Ran's many moods

 

Deeply Darkly   print and mixed media 20x21cm    ©2025LisaLeQuelenec

Further explorations into Ran's many moods. I am enjoying the linear elements in the compositions which I think give an added chaotic energy and tension. What do you think?

These pieces are available at Folksy and Etsy.

Deeply Darkly II   print and mixed media 20x21cm    ©2025LisaLeQuelenec

Ran's Glimmers - drypoint with mixed media

 

Sketchbook experiments in mixed media ©2025LisaLeQuelenec

'...have gold, so if lost at sea you aren't empty handed to Ran's hall'

- Fridhjaf's saga

Golden tributes thrown over the side of the boat to appease Ran for a safe crossing whilst a recurring theme in many mythologies is to pay the boatman for crossing into the next life. The more about mythology that I read the more connections I make between peoples and cultures, we are more alike than not. The same worries and fears even over vast distances and time, I wish we could remember that a bit more.

 

Ghost print from Scintillating II with mixed media ©2025LisaLeQuelenec

Ran's Glimmers   ©2025LisaLeQuelenec

The gold mica paint is from a set by Kuretake - Gansai Tambi Starry Colours which is a range of 6 from silver pearl to a deep rich gold.