Thursday, 18 October 2018

Just walking the dog


Wet sand, reflections and silhouettes fill my mind and sketchbooks at the moment. They are inspiring a new mini project. I watched an interview on Youtube with Fred Cuming one of my all time favourite artists which is where the quote in my sketchbook has come from. He said;




'I might be the only person in miles of open space.
It provides me with endlessly fascinating problems
of conveying something which is about nothing
more than emptiness.'

Fred Cuming


You can see more of his work here.




Sketchbook page   watercolour and pencil   ©2018LisaLeQuelenec



He sums up so eloquently what I am trying to achieve. Light, space, solitude and quiet. I often think of my sea and sky paintings as 'the big empties' and this feels an extension of that work. Maybe the addition of a figure exaggerates that notion. Time to explore...




Sketchbook page   pencil on monoprint    ©LisaLeQuelenec



Monday, 15 October 2018

A gloomy day and a good book




It is dark, gloomy and decidedly cooler today. Perfect for curling up with a book. This is my latest aquisition;

The Secret Lives of Colour by Kassia St Clair 
ISBN 9781473630819 hardback
ISBN 97814730630826 ebook

I have only dipped into it so far - it is that kind of book (you don't have to read it in any particular order). The history/story of 75 colours are discussed individually. There are chapters on the science, politics and language of colour. At the end there is a glossary of other 'interesting colours'. I rather hope that this may mean a second volume may be in the future. I am enjoying her writing style and will keep this book for the gloomy days to come as something to look forward to it will chase the dull greys away.

The Golden Thread: How Fabric Changed History 
ISBN 9781473659032 has just been released and also sounds like an interesting read.

Anyway that is me set for today, hot coffee, a great book .... maybe a jammy dodger or two ;o) What are you reading at the moment?


Thursday, 4 October 2018

Colour charts and colour sketchbook pages


The colour that I used in the previous post was Daniel Smith's Sodalite Genuine. I like using this colour on it's own for tonal studies for it's unpredictable granulation and the way the blue and the black sometimes separate as it's drying. I think of it as a soft faded denim and as comfortable to use as a pair of well loved jeans is to wear. It occured to me that although I have used this colour often and have used it in mixes with other blues I hadn't actually made a colour recipe chart for it with the other colours in my palette.



Colour charts for black watercolours ©2018LisaLeQuelenec



Above is the chart painted this week on the left. To the right are some charts made previously  - you can see posts about previous expermients with black watercolours  here.  It was well worth doing the chart as I don't think I would have discovered these beautiful greens that can be mixed otherwise. I particularly like the way Sodalite Genuine mixes with Cobalt Turquoise Light, Green Gold and Indanthrene Blue (all Winsor & Newton)




Pages from my colour recipe and experiment book ©2018LisaLeQuelenec



This another chart to add to my colour sketchbook or recipe book. Below are a few pages from it that I have been refering to lately with all the greys, blues and aquas. It's filled with experiments, clippings, charts, notes and all sorts - even a couple of disposable palettes have been stuck in. To be honest it is an unruly mess with splats and spodges and scribbles but it is well thumbed, dog earred in places and beyond value to me. It's been added to over a number of years and as I am running out of room I will have to re-bind it to add more pages at some point in the future. It could end up as thick as a brick :o)  .

Thursday, 27 September 2018

Making shapes



Watercolour sketches   watercolour   ©2018LisaLeQuelenec


My little bundle of happiness on four paws has been making some interesting shapes as she explores her world.

*note to self - you can justify puppy watching as research if you have a sketchbook and brush in hand ;o)


Thursday, 20 September 2018

Headland - a new etching



Headland   etching 6x6cm   ©2018LisaLeQuelenec


I love the super strong contrasts of light on the ocean that you get after a heavy downpour and the energy and exhilaration as you wait in anticipation for the next bout to come. So inspiring, even though it can make your eyes ache for the relief in the shadows.


This etching is available on Etsy at Seaside Studios UK.

Saturday, 8 September 2018

Bubbles


Bubbles   etching 3x6cm   ©2018LisaLeQuelenec





A new miniature etching. It seems the universal appeal of bubbles and children also extends to puppies. Much fun has been had with a squirt of dish soap, some water and a couple of bubble wands. It's a race to see who can pop them first.

Prints from this edition are available at Seaside Studios UK Etsy  and at Seaside Studios UK Folksy







A toothy grin   ©2018LisaLeQuelenec

Summer fun is fast drawing to a close....my lil prince starts his first day of school next week! The cute little puppy that came home with us is now toothy and sassy....and I am left wondering where did that time go? I couldn't resist showing you this puppy grin. New teeth are on their way.

Wednesday, 15 August 2018

Beach Treasures in mixed media



Beach Treasures   etching and mixed media    ©2018LisaLeQuelenec




Following on from the etchings in last weeks post I couldn't resist playing with a set in coloured pencil. I have scanned them and made the available as cards and reproduction prints on Redbubble .



Beach treasures   etching and coloured pencil   ©2018LisaLeQuelenec



Sunday, 12 August 2018

Beach treasures etchings and process



Sketches and preliminary sketchbook work for the Beach Treasures etching ©2018LisaLeQuelenec

I had begun to plan my most ambitious etching project to date some time ago. As always it started in my sketchbook and was a kind of continuation of the watercolour beach treasures collections to begin with I wasn't sure if the compositions were going to be in watercolour or print. I had even gotten as far as thinking about colour when I decided to go the etching route.



Concept sketch for Beach Treasures etching plates ©2018LisaLeQuelenec


Refining the shapes and drawing for each plate took some time as I wanted to get the spacing and balance perfect for each individual plate and for it to work just as well as a triptych. Once that was done I was ready to make the plates and could easily transfer each outline onto the prepared zinc. Carefully I added in the hatching to render the form of the objects. There is a lovely parallel between the hardness of the shells and pebbles and the delicate marks they have and recreating it on a hard metal plate.

Once completed the plates are bathed in acid for the drawing to be eaten away giving a 'tooth' for the ink to settle in and imprint on the paper. After carefully cleaning away the rest of the ground (the substance used as a barrier to keep the acid from eating away at the metal where you don't want a mark) the plate is ready for inking.



The plates all ready for printing - Beach treasures ©2018LisaLeQueleenc


I have proofed the plates individually (made test prints) in both black and blue/black ink and am happy with the results. It really does pay for me to spend time in the preparation before starting the plate making.

The proof prints are both available mounted as you can see here at Seaside Studios UK on Etsy. Prints of individual plates are available on both Etsy and in my Folksy store.



Beach treasures I, II & III   original etchings, first artists proof prints mounted to 30x50cm   ©2018LisaLeQuelenec




Beach treasures I, II & III   original etchings, second artists proof prints mounted to 30x50cm   ©2018LisaLeQuelenec




Beach Treasures I, II & III   etchings 6.5x13.5cm   ©2018LisaLeQuelenec

Sunday, 5 August 2018

Seaweeds - new watercolours


Three new seaweeds available at Seaside Studios UK

Seaweeds   watercolour on paper 21x30cm   ©2018LisaLeQuelenec



Country Homes & Interiors August Edition 2018




The seaweed painting below that appears on the cover of Country Homes & Interiors magazine's August Edition has already found it's new home in Norway. The article looks gorgeous and I would like to say a big thank you for the opportunity to Features & Art Director Sara Bird, Stylist Selina Lake, Style Assistant Sarah Prall and Photographer David Brittain .








Seaweed   30x21cm approx watercolour on paper   ©2017LisaLeQuelenec



Wednesday, 13 June 2018

A pause for paws...


Toddler sized chairs are also perfectly sized puppy chairs don'tcha know


I am taking a break to train up my new apprentice. Not quite soft kitty paws Bruce, more thunking big labrador puppy ones. She's very young but seems willing to pick up the ropes... lead... collar... shoes... slippers... rug and what ever else she thinks she can get away with - which is quite a bit as she is really very cute  ;o)  I think she will be keeping me on my toes for a bit. What an adventure!!!


I will still be keeping the Etsy and Folksy shops open and reproductions are available at RedBubble and Fine Art America. For all other enquiries drop me an email at seasidestudios [@] hotmail.com I will get back to you as soon as I can.