You can't stop the tide - mixed media

 

You can't stop the Tide I   mixed media on paper 14x14cm   ©2026LisaLeQuelenec

You can't stop the Tide II   mixed media on paper 14x14cm   ©2026LisaLeQuelenec

You can't stop the Tide III   mixed media on paper 14x14cm   ©2026LisaLeQuelenec

These three pieces started as collagraphs made a while back but there was something not quite finished about them so they were set aside. I recently discovered them again hidden in a folder and thought the time was right to revisit them. Adding mixed media to adjust tones and variating the spray splashing over the groyne has made a small sequence that I am much happier with. Over the years I must have spent hours watching and waiting for the perfect splash of sea spray and with these three pieces finished I feel the time was well spent, just like the time they spent waiting for their moment in the folder.

Available in my Folksy Store.

2026 Drawing project - Mrs Willmott's Ghost

 

Mrs Willmott's Ghost   sketchbook page coloured pencil and ink    ©2026LisaLeQuelenec

Eryngium giganteum, with the common name Miss Willmott's Ghost, is a species of flowering plant in the family Apiaceae. The short-lived herbaceous perennial thistle is native to the Caucasus and Iran in Western Asia.

Source: Wikipedia

Named after Ellen Willmott (1858 - 1934) who liked to secretly scatter seed, maybe the first guerrilla gardener, she certainly seemed like a character with an interesting life and a passion for horticulture.

I love this plant for it's barely there colour, almost luminescent tones, which makes a strong contrast against other plants. The specimens that I have drawn here were grown in my garden last summer and have dried to a hint of cream in colour. I am looking forward to seeing it again this year.

Mrs Willmott's Ghost (detail)   sketchbook page coloured pencil and ink    ©2026LisaLeQuelenec

Night Tide - collagraph variations

 

Night Tide    varied edition collagraphs    ©2025LisaLeQuelenec

One plate, an edition of 4 all, varied in the inking of the collagraph plate measuring 12.5x12.5cm.

One memory, a hot and humid evening watching summer storm clouds gathering across the bay. Metallic tasting air, an expectant silence.... then a sultry breeze and a rush back to the car before the storm broke and the rain fell in torrents. It is funny how a storm can stay with you for years, nestled away in your memory ready to be brought out and relived.

It feels quite apt to be posting about them now given the recent bit of weather the UK has been experiencing.

Night Tide - prints available at Folksy ©2026LisaLeQuelenec

The prints are available in my Folksy store.

Night Tide Artist Proof with mixed media ©2026LisaLeQuelenec

I tested the collagraph plate with these two proof prints and made a couple of adjustments before printing this small edition of four in blue black indigo ink. The six images together feel like they tell the story of that summer evening - each one a snap shot in time.

Night Tide Artist Proof with mixed media ©2026LisaLeQuelenec

Green Glass - mixed media

 

Green Glass   mixed media 18x12.5cm on canvas board   ©2025LisaLeQuelenec

For now the final piece in my wave watching, I know I will return soon to them soon and maybe I will go a little larger...

This piece is available in my Folksy Store in the Mixed Media Collection.

On a Teal Tide - mixed media

 

Above the inspiration for this set of paintings....one evening when the teal sea complimented the reflections of the setting sun. The warm colours vivid in my memory and in opposition to the brisk chill of the evening. It was nose bitingly cold and stunningly beautiful.

Below the sequence of how they were painted, in which I hope I have shown the movement of the tide.

On a Teal Tide I - IV   mixed media on canvas boards 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide I   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide II   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide III   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

On a Teal Tide IV   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

All four pieces are available individually in my Folksy Store, they can be found in the Mixed Media Collection. 

https://folksy.com/find/shop/seasidestudiosuk

On a Teal Tide I-IV   mixed media on canvas board 15x15cm   ©2025LisaLeQuelenec

Surf Studies - mixed media on canvas boards

 

Surf Study I-IV   mixed media 10x10cm   ©2025LisaLeQuelenec

A series of surf studies in mixed media. My attempt to capture the energy and sequential movement of the waves as they make their way to the shore. ...trying not to overpaint and overstate... to keep the sketchiness of a glimpse.

 

mixed media monoprint sketches ©2025LisaLeQuelenec 

These mixed media monoprint sketches from the Ran's Net project have been lingering in my mind and provided the starting point.

Surf Studies I - IV stage 1 ©2025LisaLeQuelenec

I started by scaring myself, going straight in with the darkest tones. The froth of the waves are made by preparing the board with scrim fabric, the texture of which lends itself to the shapes I wanted to capture. I wanted to keep some of the warmth of bare linen in these 'sketches' and knew I would find it hard to not overpaint.

Surf Studies I - IV stage 2 ©2025LisaLeQuelenec

Stage 2, building up the colour and tones and deciding that I needed a little sky for the sea spray to fly against.

Surf Studies I - IV stage 3 ©2025LisaLeQuelenec

Stage 3, tightening up the tones, working their push and pull, layer upon layer. Painting can be quite similar to watching the tide in some ways - advancing, retreating, pushing forward, knocking back.

All four pieces are available in my Folksy store.

Dusk Deepened - collagraph and mixed media

 

Dusk Deepened I - IV   Mixed media and Collagraph  12.5x12.5cm ©2025

Using the same printing plate I have made four images, each different, by working further with acrylic and printing ink. Much like a view changing with progressing light, in each image I have tried to capture a progressing moment - like a burst shot by a camera. I am fascinated by the way the same view from the same position is never the same because of the changing light through weather and season, a kind of homage to Monet's Rouen Cathedral, haystacks and lily ponds in a way. I have been looking and appreciating their multiple variations lately. The first in the set of four is available in my Folksy Store.

Dusk Deepened I   collagraph and mixed media 12.5x12.5cm   ©2025LisaLeQuelenec

Smuggler's Moon - print and mixed media

 

Smuggler's Moon  print and mixed media 12.5x12.5cm   ©2025LisaLeQuelenec 

One of the prints made and rejected from the previous post was too dark and over inked so I used the print as the plate and ran it through the press with paper over (like tonking an oil painting in a way). This resulted in a reversed image with some pleasing subtleties of texture. I worked into it whilst still wet which gave a much softer and hazier finish. Once dried I could add a moon for a feeling of the winter nights to come. 

Available in my Folksy Store.

Gathering I - III collagraph and mixed media

 

Gathering I - III   collagraph and mixed media   ©2025LisaLeQuelenec

Small changes in the inking of one collagraph plate, a progression of light in one view with mixed media. I am enjoying working without colour for a while....I feel that I don't need the distraction but I wonder if that will change....

These are available at Folksy

Briny Blue - Ran's many moods

 

Three Stages of Briny Blue I  mixed media ©2025LisaLeQuelenec 

WIPs in one post don't give any idea of the time lapse in the making of them but here we are. So many ideas and pieces are flowing at the moment and I feel like I am running to catching up with myself. Both of these started as prints, then added watercolour and into acrylic. Lots of small layers and adjustments, tweeks here and there, backwards and forwardsing. 

Both pieces are available in my Folksy store.  There will be more to come...

Briny Blue I   mixed media   ©2025LisaLeQuelenec

Three Stages of Briny Blue II   mixed media ©2025LisaLeQuelenec

  Briny Blue II  mixed media ©2025LisaLeQuelenec

mixed media ©2025LisaLeQuelenec

Below the Brine - Ran's many moods

Below the Brine I   print and mixed media 20x21cm   ©2025LisaLeQuelenec

The ambiguity of the Ran myth intrigues me still. I am attracted to the relatable human quality of her moods...calm, playful, stern, raging... not many female characters are able to be more than one thing in mythology that I have read about - women are either good or evil, victims or villains, virgins or seducers - Ran could be any or all of these. I wonder if the oral tradition of these myths were still alive if her character would be more black and white or just as ambiguous. My hope would be the ambiguous - like the ocean able to change in a heartbeat - how much more interesting and realistic.

Three calmer and possibly more playful moods in Below the Brine but the net is still there glinting and dazzling, waiting, biding its time or with the potential to change?... 

Below the Brine II in three stages   print and mixed media 20x21cm   ©2025LisaLeQuelenec

Below the Brine III   print and mixed media 20x21cm   ©2025LisaLeQuelenec

Deeply Darkly I & II - Ran's many moods

 

Deeply Darkly   print and mixed media 20x21cm    ©2025LisaLeQuelenec

Further explorations into Ran's many moods. I am enjoying the linear elements in the compositions which I think give an added chaotic energy and tension. What do you think?

These pieces are available at Folksy and Etsy.

Deeply Darkly II   print and mixed media 20x21cm    ©2025LisaLeQuelenec

Ran's Glimmers - drypoint with mixed media

 

Sketchbook experiments in mixed media ©2025LisaLeQuelenec

'...have gold, so if lost at sea you aren't empty handed to Ran's hall'

- Fridhjaf's saga

Golden tributes thrown over the side of the boat to appease Ran for a safe crossing whilst a recurring theme in many mythologies is to pay the boatman for crossing into the next life. The more about mythology that I read the more connections I make between peoples and cultures, we are more alike than not. The same worries and fears even over vast distances and time, I wish we could remember that a bit more.

 

Ghost print from Scintillating II with mixed media ©2025LisaLeQuelenec

Ran's Glimmers   ©2025LisaLeQuelenec

The gold mica paint is from a set by Kuretake - Gansai Tambi Starry Colours which is a range of 6 from silver pearl to a deep rich gold. 

Spindrift & Spume I - IV

 

Spindrift & Spume I   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

Spindrift & Spume II   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

So far a mini series but there may be more coming. They have been surprisingly difficult to get the balance between too much and not enough. I always find it hard not to fiddle. All four are available in my Folksy Store.

Spindrift & Spume III   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

Spindrift & Spume IV   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

Spindrift & Spume I -  IV   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

The Nine Daughters of Ran - first edition complete

 

Nine Daughters of Ran   print and mixed media   ©2025LisaLeQuelenec

The first set of Ran's daughters completed, each daughter mounted onto A4 paper with handprinted and painted net that binds them and suggests the presence of their mother Ran.

My intention had been to bind the daughters into a book format, a concertina so that they could be viewed in a linear format as below in this mock up.

Nine Daughters of Ran   print and mixed media   ©2025LisaLeQuelenec

I thought that this would be a good way of displaying the progression from calm to stormy waters, shallows to the deep. To be able to do this I think they need to be on a smaller scale and I should have thought through the practicalities at the beginning as needing to join sheets to make a long enough concertina became clumsy and distracting. If I were to exhibit and present this set I think they might actually work better framed individually so maybe this isn't as much of a set back as I made it in my  head.

I intend to do nine editions of the nine images using the same base lino blocks, each with different inking and different hand finishing - same sea but different tides - as each set of nine will be made over a long period of time I expect each to develop in different ways with different outcomes and I am thinking different ways of being presented. The idea of binding in a book isn't completely abandoned just yet and is probably something that I will return to, time will tell.

This first set is one that I will keep, a keystone for how the project will develop which may take some years. I am releasing them as prints on RedBubble  individually, in threes and as a print of all nine together in the formats below, they are also available as greeting cards.

Ran's Daughters Blóðughadda, Himinglæva & Kólga   prints available at RedBubble   ©2025LisaLeQuelenec

Ran's Daughters Hrönn, Bara & Unnor   prints available at RedBubble   ©2025LisaLeQuelenec

Ran's Daughters  Dufa, Bylgia & Hefring   prints available at RedBubble   ©2025LisaLeQuelenec

Nine Daughters of Ran   prints available at RedBubble   ©2025LisaLeQuelenec

As a February side quest for the darkest month this project has grown considerably, I had no idea at the start I would be completing just a first round in May. I am hoping that I will discover more about the mythology surrounding these ladies and also parallels with other myths from around the world their commonality and differences; the sirens, selkies and mermaids come to mind and I am sure there are many others as I cast nets in waters outside of Europe. I am sure that these stories passed along trade routes with a bit from here and a bit from there added and missed along the way but with a core of similarities. Maybe you have suggestions that I could research I would love to hear.

Mixed media - A Flick of the Tail & On the Brink

 

Sketchbook study page for Ran's Net Project watercolour and watersoluble pencils ©2025LisaLeQuelenec

pre-painting sketch... 

Stage 1 - 4 for A Flick of the Tail 30x30cm mixed media ©2025LisaLeQuelenec

Stage 1 - tissue paper, calico and a little acrylic medium...just making loose shapes and the gist of the composition. 

Stage 2 - pale areas of colour in acrylic.

Stage 3 - building up tones and colours.

Stage 4 - adding more tone, refining edges, flinging and spattering paint. This was the ugly stage where I lived with the painting for a few days. I tried to sneak up on it and take it by surprise but would retreat muttering to myself. I think I had gotten too dark too soon and wanted to bring back some light, I couldn't decide if I needed to make it feel less solid and more gentle/fluid or keep the harsh solidity of stormy water.

A Flick of the Tail   mixed media on canvas board 30x30cm   ©2025LisaLeQuelenec

I decided to warm things a little and remove some of the contrast. A little more spattering and texture in the paint - I wanted to capture a split second of time - a 'did I just see that?' moment... a playful teasing.  

At the Brink   mixed media 30x30cm   ©2025LisaLeQuelenec

In contrast this piece shows a slightly more feisty side...the literal net is out (fruit netting from a bag of plums adhered to the board with acrylic medium) and ready to capture what it may. This is no playful splash but the brink of something that could become more sinister. I wanted to show the pressure of water about to pound down and a net waiting to engulf and drag off in the back wash. 

Snippet from a photo of the inside of a mussel shell ©2025LisaLeQuelenec

The shapes, colours and textures from this little section of a mussel shell interior that has been sat on my desk quietly waited for me to notice it's connection to the painting.  It too had been rolled around and most likely pounded by the sea.

A little softening of the contrasts and areas of the wave and the painting is now complete.

At the Brink   mixed media on canvas board 30x30cm   ©2025LisaLeQuelenec

Working on these two pieces simultaneously allowed them to influence and speak to each other. By sharing base materials, format and palette I hope to portray their connection even though each is an extreme of  disposition or emotion. I think this series is going to be a challenge, interesting but a challenge.

Both of these paintings are available in my Etsy store.