Briny Blue - Ran's many moods

 

Three Stages of Briny Blue I  mixed media ©2025LisaLeQuelenec 

WIPs in one post don't give any idea of the time lapse in the making of them but here we are. So many ideas and pieces are flowing at the moment and I feel like I am running to catching up with myself. Both of these started as prints, then added watercolour and into acrylic. Lots of small layers and adjustments, tweeks here and there, backwards and forwardsing. 

Both pieces are available in my Folksy store.  There will be more to come...

Briny Blue I   mixed media   ©2025LisaLeQuelenec

Three Stages of Briny Blue II   mixed media ©2025LisaLeQuelenec

  Briny Blue II  mixed media ©2025LisaLeQuelenec

mixed media ©2025LisaLeQuelenec

Below the Brine - Ran's many moods

Below the Brine I   print and mixed media 20x21cm   ©2025LisaLeQuelenec

The ambiguity of the Ran myth intrigues me still. I am attracted to the relatable human quality of her moods...calm, playful, stern, raging... not many female characters are able to be more than one thing in mythology that I have read about - women are either good or evil, victims or villains, virgins or seducers - Ran could be any or all of these. I wonder if the oral tradition of these myths were still alive if her character would be more black and white or just as ambiguous. My hope would be the ambiguous - like the ocean able to change in a heartbeat - how much more interesting and realistic.

Three calmer and possibly more playful moods in Below the Brine but the net is still there glinting and dazzling, waiting, biding its time or with the potential to change?... 

Below the Brine II in three stages   print and mixed media 20x21cm   ©2025LisaLeQuelenec

Below the Brine III   print and mixed media 20x21cm   ©2025LisaLeQuelenec

Deeply Darkly I & II - Ran's many moods

 

Deeply Darkly   print and mixed media 20x21cm    ©2025LisaLeQuelenec

Further explorations into Ran's many moods. I am enjoying the linear elements in the compositions which I think give an added chaotic energy and tension. What do you think?

These pieces are available at Folksy and Etsy.

Deeply Darkly II   print and mixed media 20x21cm    ©2025LisaLeQuelenec

Ran's Glimmers - drypoint with mixed media

 

Sketchbook experiments in mixed media ©2025LisaLeQuelenec

'...have gold, so if lost at sea you aren't empty handed to Ran's hall'

- Fridhjaf's saga

Golden tributes thrown over the side of the boat to appease Ran for a safe crossing whilst a recurring theme in many mythologies is to pay the boatman for crossing into the next life. The more about mythology that I read the more connections I make between peoples and cultures, we are more alike than not. The same worries and fears even over vast distances and time, I wish we could remember that a bit more.

 

Ghost print from Scintillating II with mixed media ©2025LisaLeQuelenec

Ran's Glimmers   ©2025LisaLeQuelenec

The gold mica paint is from a set by Kuretake - Gansai Tambi Starry Colours which is a range of 6 from silver pearl to a deep rich gold. 

Spindrift & Spume I - IV

 

Spindrift & Spume I   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

Spindrift & Spume II   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

So far a mini series but there may be more coming. They have been surprisingly difficult to get the balance between too much and not enough. I always find it hard not to fiddle. All four are available in my Folksy Store.

Spindrift & Spume III   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

Spindrift & Spume IV   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

Spindrift & Spume I -  IV   15x15cm acrylic and mixed media on board   ©2025LisaLeQuelenec

The Nine Daughters of Ran - first edition complete

 

Nine Daughters of Ran   print and mixed media   ©2025LisaLeQuelenec

The first set of Ran's daughters completed, each daughter mounted onto A4 paper with handprinted and painted net that binds them and suggests the presence of their mother Ran.

My intention had been to bind the daughters into a book format, a concertina so that they could be viewed in a linear format as below in this mock up.

Nine Daughters of Ran   print and mixed media   ©2025LisaLeQuelenec

I thought that this would be a good way of displaying the progression from calm to stormy waters, shallows to the deep. To be able to do this I think they need to be on a smaller scale and I should have thought through the practicalities at the beginning as needing to join sheets to make a long enough concertina became clumsy and distracting. If I were to exhibit and present this set I think they might actually work better framed individually so maybe this isn't as much of a set back as I made it in my  head.

I intend to do nine editions of the nine images using the same base lino blocks, each with different inking and different hand finishing - same sea but different tides - as each set of nine will be made over a long period of time I expect each to develop in different ways with different outcomes and I am thinking different ways of being presented. The idea of binding in a book isn't completely abandoned just yet and is probably something that I will return to, time will tell.

This first set is one that I will keep, a keystone for how the project will develop which may take some years. I am releasing them as prints on RedBubble  individually, in threes and as a print of all nine together in the formats below, they are also available as greeting cards.

Ran's Daughters Blóðughadda, Himinglæva & Kólga   prints available at RedBubble   ©2025LisaLeQuelenec

Ran's Daughters Hrönn, Bara & Unnor   prints available at RedBubble   ©2025LisaLeQuelenec

Ran's Daughters  Dufa, Bylgia & Hefring   prints available at RedBubble   ©2025LisaLeQuelenec

Nine Daughters of Ran   prints available at RedBubble   ©2025LisaLeQuelenec

As a February side quest for the darkest month this project has grown considerably, I had no idea at the start I would be completing just a first round in May. I am hoping that I will discover more about the mythology surrounding these ladies and also parallels with other myths from around the world their commonality and differences; the sirens, selkies and mermaids come to mind and I am sure there are many others as I cast nets in waters outside of Europe. I am sure that these stories passed along trade routes with a bit from here and a bit from there added and missed along the way but with a core of similarities. Maybe you have suggestions that I could research I would love to hear.

Mixed media - A Flick of the Tail & On the Brink

 

Sketchbook study page for Ran's Net Project watercolour and watersoluble pencils ©2025LisaLeQuelenec

pre-painting sketch... 

Stage 1 - 4 for A Flick of the Tail 30x30cm mixed media ©2025LisaLeQuelenec

Stage 1 - tissue paper, calico and a little acrylic medium...just making loose shapes and the gist of the composition. 

Stage 2 - pale areas of colour in acrylic.

Stage 3 - building up tones and colours.

Stage 4 - adding more tone, refining edges, flinging and spattering paint. This was the ugly stage where I lived with the painting for a few days. I tried to sneak up on it and take it by surprise but would retreat muttering to myself. I think I had gotten too dark too soon and wanted to bring back some light, I couldn't decide if I needed to make it feel less solid and more gentle/fluid or keep the harsh solidity of stormy water.

A Flick of the Tail   mixed media on canvas board 30x30cm   ©2025LisaLeQuelenec

I decided to warm things a little and remove some of the contrast. A little more spattering and texture in the paint - I wanted to capture a split second of time - a 'did I just see that?' moment... a playful teasing.  

At the Brink   mixed media 30x30cm   ©2025LisaLeQuelenec

In contrast this piece shows a slightly more feisty side...the literal net is out (fruit netting from a bag of plums adhered to the board with acrylic medium) and ready to capture what it may. This is no playful splash but the brink of something that could become more sinister. I wanted to show the pressure of water about to pound down and a net waiting to engulf and drag off in the back wash. 

Snippet from a photo of the inside of a mussel shell ©2025LisaLeQuelenec

The shapes, colours and textures from this little section of a mussel shell interior that has been sat on my desk quietly waited for me to notice it's connection to the painting.  It too had been rolled around and most likely pounded by the sea.

A little softening of the contrasts and areas of the wave and the painting is now complete.

At the Brink   mixed media on canvas board 30x30cm   ©2025LisaLeQuelenec

Working on these two pieces simultaneously allowed them to influence and speak to each other. By sharing base materials, format and palette I hope to portray their connection even though each is an extreme of  disposition or emotion. I think this series is going to be a challenge, interesting but a challenge.

Both of these paintings are available in my Etsy store.

Submerge / Descend monoprint and mixed media

 

I was itching to play with my usual inky blues so indulged myself for a day with some monoprinting...

Submerge monoprint and mixed media 9.5x15cm   ©2024LisaLeQuelenec

Details from a lino stamp used in pebble monoprints   ©2024LisaLeQuelenec

I enjoyed experimenting with layers of thick and thin ink and how they interacted. I used lots of ink extender for very thin and transparent layers (it works much like glaze medium in oil and acrylic painting). Once the prints were dry some pebbles were collaged in and extra white ink drawn in to enhance the light/current/flow. I wanted the feeling of being pulled gently under water.

Descend I -IV   monoprint and mixed media 9.5x15cm   ©2024LisaLeQuelenec

The same prints just playing with layouts - seeing how they speak to each other/if they speak to each other.

Descend I - IV   monoprint and mixed media 9.5x15cm   ©2024LisaLeQuelenec

Sometimes erosion seems to happen quickly and violently as in a storm but sometimes it is the persistent, gradual and slow process of wearing surfaces over many years that leads up to the big event. I think this is true of painting/printing too. Some days you feel like you have made leaps in your work but it is all the days where tiny little steps have been made that are important to get to your goal. Slow and persistent - the message that I take from the sea.

The two prints at the top in the above photograph are available in my Etsy store  and the lower two are available in my Folksy store.

Spring or sea glass greens - coastal collage and mixed media

 

Untitled   Mixed media collage on A4ish watercolour paper  ©2024LisaLeQuelenec

Sand and water ripples ©2024LisaLeQuelenec

So much inspiration in this photograph...the colours and textures especially. I'm not sure what people think when they see me taking pictures of soggy sand but I am quite happy in my world 😊 This photograph could be the route of a lifetimes work there is so much that appeals to me.

Untitled   Mixed media collage on A4ish watercolour paper  ©2024LisaLeQuelenec

Ripples in the sand ©2024LisaLeQuelenec

Untitled   Mixed media collage on A5ish watercolour paper  ©2024LisaLeQuelenec

I have always been drawn to green stones, probably because they are rare here, and have some lovely green serpentine from Cornwall. The very pale textured pebble in the photo I am at a loss as to what it is but would love to know. The mintyness is lovely.

A selection of minty green pieces are available in my Folksy Store.

Trying out a little video - after much messing around with editing this is my first effort!

Ripples and reflections ©2024LisaLeQuelenec

Piddock made hagstones ©2024LisaLeQuelenec

Hag stones made by piddocks are a bit more unusual here too, I normally find them made by tidal erosion. The perfect circles put me in mind of Barbera Hepworth's sculptures and one of my favourite quotes from her:

'Many people select a stone or pebble to carry for the day, the weight and form and texture felt in our hands relates to the past and gives us a sense of universal force. The beautifully shaped stone washed up by the sea is a symbol of continuity a silent image of our desire for survival, peace and serenity.'    - Barbara Hepworth

Flow monoprint and mixed media

With the Easter holidays over and my son back at school I have been getting busy reopening my Etsy Store. Amongst the new works available are pieces from this pebble project including the three pieces below. 

Flow I   21x30cm mono and mixed media   ©2024LisaLeQuelenec

These pieces have proved so difficult to photograph. I have tried so many backgrounds and on so many days with differing light but I think this is the closest I am going to get. In reality the backing paper of the prints are a couple of shades warmer but the pebble shapes are accurate on my screen. These are a mixture of print, collage and drawing on A4 Lokta paper.

Flow II   21x30cm mono and mixed media   ©2024LisaLeQuelenec

Flow III   21x30cm mono and mixed media   ©2024LisaLeQuelenec

Tracing sunshine reflected from my mug - a timed drawing   ©2024LisaLeQuelenec

From the photographs above you can see where some of the inspiration for the drawing came from. The sun was shining brightly (briefly) through the window and reflecting on a mug of pencils on to the desk top. I traced the reflections onto a scrap of paper then about 30 mins later as the sun had moved slightly and when it reappeared I traced again. I would have kept going but the sky clouded over and the rain came. I will set up another drawing on another sunny day and trace the sun's progress across the sky in it's reflections, It might be an interesting experiment and result in some interesting distortions.

Land or Sea? - collage and mixed media

Untitled A4ish collage and mixed media on paper ©2024LisaLeQuelenec

Pebbles colour inspiration ©2024LisaLeQuelenec

I am pushed and pulled on the tide.. is the series about the pebbles or the sea each new piece seems to change its' focus first land is more dominant then the sea....is this a metaphor.....? Edges, relationships, boundaries, liminal, erosion, words that are scribbled in my sketchbook.

Untitled A4ish collage and mixed media on paper ©2024LisaLeQuelenec

Detail - Untitled A4ish collage and mixed media on paper ©2024LisaLeQuelenec

Sand Ripples ©2024LisaLeQuelenec

I can't believe it has been a month since I last posted! A virus got the better of me and then ten days of road trip travelling as far up as Edinburgh and Whitby to Liverpool across with a stop off in York has kept me away. So much inspiration on the trip and much beach treasure gathered.

I will be reopening my Etsy shop again soon. There has been quite a few changes since it was last open so a steep learning curve to get up to scratch but hopefully I will be ready in the next couple of weeks. Some of these new works will be available there.