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| Guiding Light (unfinished) acrylic on canvas 50x50cm ©2014Lisa Le Quelenec |
I didn't appreciate before just how long putting together a blog post takes. There has been painting going on during the past month just not much time to sit at the pooter to edit pictures and get a post together......must try harder.
This is the canvas that I have been battling with. I think I am almost there. I need to live with it a while to 'see' the adjustments that need to be made. I feel that it needs more colour. The reality is not so contrasty and more warmer and subtle in the tones but the camera hasn't picked that up. So the battle continues....
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| ©2014Lisa Le Quelenec |
I started by going through my colour notes sketchbook and choosing my palette. I wanted to keep the colour fairly subtle and not too dark. It was important to me that the colours leaned to the warm side, to give the feeling of the hot, humid, heavy feeling before a storm. This palette of ivory black, indanthrene, azure blue, buff titanium and parchment fitted the bill. I have added titanium and zinc white and a touch of pthalo turquoise to the mix.
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| ©2014Lisa Le Quelenec |
Blocking in and deciding the tonal patterns are my starting point. Everything is very rough and ready getting the bare bones down quickly. I stayed fairly close to the original watercolour which you can see in my previous post here .
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| ©2014Lisa Le Quelenec |
I was starting to work on the shafts of sunlight by dry brushing the paint and added the sail of the yacht in. The painting was trying to tell me that it needed something else. Something subtle but very necessary was missing.
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| ©2014Lisa Le Quelenec |
I did what I usually do when faced with such a dilemma. I turned to my sketchbooks. Flicking through I found a tiny sketch of the Isle of Wight and the Needles and decided that the small little detail was just what I needed. I had to keep it subtle though I didn't want anything fighting with the light which is the focal point of the painting.
My sketchbooks are beyond valuable to me and such an important part of the way that I work. Sometimes just for small details like this and the notes about light and atmosphere.
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| ©2014Lisa Le Quelenec |
I kept the tones very close so that the land is a mere suggestion. It also appeals to me that the there is a second 'guiding light' with the addition of the lighthouse but that it is outweighed by nature's guiding light.
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| ©2014Lisa Le Quelenec |
Reassessing the painting I concluded that the yacht was now too far over to the right of the composition and needed to move to the left a little. I also increased the scale. The sail is acting like an arrow to the sun streaming through the cloud.
