Bara - first experiment mixed media ©2025LisaLeQuelenec |
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Unnor first experiment mixed media ©2025LisaLeQuelenec |
Dufa first experiment mixed media ©2025LisaLeQuelenec |
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textures and colour mixing on my ink palette ©2025LisaLeQuelenec |
Bara - first experiment mixed media ©2025LisaLeQuelenec |
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Unnor first experiment mixed media ©2025LisaLeQuelenec |
Dufa first experiment mixed media ©2025LisaLeQuelenec |
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textures and colour mixing on my ink palette ©2025LisaLeQuelenec |
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March Spiral Drawing - pencil on toned paper ©2025LisaLeQuelenec |
The common winkle is a lovely little thing that come in a variety of colours and shades. Yellows are my favourite and I can't resist picking them up. I do always check to make sure that no one is home before they head to my pocket. They look like little jewels in the rockpools and washed up on the shore. As you can see the child in me still sorts them into colours.
Common winkles ©2025LisaLeQuelenec |
I think I may have collected rather a lot over the years....
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Common winkles ©2025LisaLeQuelenec |
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Himinglæva - colour inspiration and first experiement mixed media ©2025LisaLeQuelenec |
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Colour inspiration for mixing ink ©2025LisaLeQuelenec |
Kólga - first experiment mixed media ©2025LisaLeQuelenec |
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Colour inspiration ©2025LisaLeQuelenec |
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Ink mix and Hrönn first experiment mixed media ©2025LisaLeQuelenec |
So far these ladies have been a little playful but I think we are about to see a sea change....
Colour inspiration - ©2025LisaLeQuelenec |
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Mixing ink and applying with a palette knife ©2025LisaLeQuelenec |
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The first six prints showing variations in ink application ©2025LisaLeQuelenec |
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Making connections - Ran's daughters print and mixed media ©2025LisaLeQuelenec |
Ran had nine daughters whose names were;
Blóðughadda - (bloody hair - maybe the threadlike appearance of water from the crest of a wave)
Bylgia - (billowing)
Dröfn or Bára (comber/foaming wave)
Dúfa - (wave)
Hefring or Hefrenög - (lifting)
Himinglæva - (transparent on top)
Hrönn - (wave)
Kólga - (cool wave)
Uðr or Unnor - (wave and also a name for Odin and the name of a river)
Information taken from Wikipedia Page Nine Daughters of Aegir and Ran
First steps in a new project... feeling my way... ideas forming....one line for each measure on the scale from calm to chaos.... the last to represent Ran.... a progression of colour and tone from pale to dark/deep...loose connections....drifting ideas...
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Drawing plan for the Daughters of Ran ©2025LisaLeQuelenec |
My drawing challenge for 2025....spirals! I did do the drawing below in January but failed to blog about it as I was so caught up with Ran and ginkgo patterns! I am using a mid-toned sketchbook that I have had for a long time but keep forgetting that I have. I think it will be nice to keep all of these drawings together.
Wentletrap pencil and ink on toned paper A4ish ©2025LisaLeQuelenec |
A new to me shell, found at Christmas though not by me. This is a common wentletrap - I think - found in Jersey. It has been on my bucket list to find one of these for years. You can see how small it is next to the drawing maybe about 2.5cm... A tricky subject with it's prominent verticals climbing up the spiral. Fun to try to draw though.
Wentletrap pencil and ink on toned paper A4ish ©2025LisaLeQuelenec |
February's spiral was even trickier...I attempted this one a few times as I kept losing my place in the spiral markings as well as the spiral form.
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Sundial Shell pencil and ink on toned paper A4ish ©2025LisaLeQuelenec |
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Sundial Shell pencil and ink on toned paper A4ish ©2025LisaLeQuelenec |
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Ginkgo Leaves in Golden Yellow - new collection available as fabric and wallpaper on Spoonflower and as accessories and soft furnishings at RedBubble ©2025LisaLeQuelenec |
If you have been reading along on this blog for a while you may remember looking through a sketchbook that I started somewhere near the beginning that was just for ginkgo drawings and experiments. I was/am obsessed with the trees, I find them fascinating; the history, medical properties, their ability to survive what ever has been thrown at them as a species. I have a mental map of ginkgo's in my area and add to it when I spot them in places out of town that I visit.
Whilst having a tidy of the work room last year I stumbled upon the book, I haven't given it much thought for nearly a decade but as I flipped through I started seeing potential for surface pattern making.
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Ginkgo Leaves - a new collection available as fabric and wallpaper on Spoonflower and as accessories and soft furnishings at RedBubble ©2025LisaLeQuelenec |
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Ginkgo Leaves - a new collection available as fabric and wallpaper on Spoonflower and as accessories and soft furnishings at RedBubble ©2025LisaLeQuelenec |
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Ginkgo Leaves - a new collection available as fabric and wallpaper on Spoonflower and as accessories and soft furnishings at RedBubble ©2025LisaLeQuelenec |
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Ginkgo Leaves - a new collection available as fabric and wallpaper on Spoonflower and as accessories and soft furnishings at RedBubble ©2025LisaLeQuelenec |
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Ginkgo Leaves - a new collection available as fabric and wallpaper on Spoonflower and as accessories and soft furnishings at RedBubble ©2025LisaLeQuelenec |
Sketchbook study page for Ran's Net Project watercolour and watersoluble pencils ©2025LisaLeQuelenec |
pre-painting sketch...
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Stage 1 - 4 for A Flick of the Tail 30x30cm mixed media ©2025LisaLeQuelenec |
Stage 1 - tissue paper, calico and a little acrylic medium...just making loose shapes and the gist of the composition.
Stage 2 - pale areas of colour in acrylic.
Stage 3 - building up tones and colours.
Stage 4 - adding more tone, refining edges, flinging and spattering paint. This was the ugly stage where I lived with the painting for a few days. I tried to sneak up on it and take it by surprise but would retreat muttering to myself. I think I had gotten too dark too soon and wanted to bring back some light, I couldn't decide if I needed to make it feel less solid and more gentle/fluid or keep the harsh solidity of stormy water.
A Flick of the Tail mixed media on canvas board 30x30cm ©2025LisaLeQuelenec |
I decided to warm things a little and remove some of the contrast. A little more spattering and texture in the paint - I wanted to capture a split second of time - a 'did I just see that?' moment... a playful teasing.
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At the Brink mixed media 30x30cm ©2025LisaLeQuelenec |
In contrast this piece shows a slightly more feisty side...the literal net is out (fruit netting from a bag of plums adhered to the board with acrylic medium) and ready to capture what it may. This is no playful splash but the brink of something that could become more sinister. I wanted to show the pressure of water about to pound down and a net waiting to engulf and drag off in the back wash.
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Snippet from a photo of the inside of a mussel shell ©2025LisaLeQuelenec |
The shapes, colours and textures from this little section of a mussel shell interior that has been sat on my desk quietly waited for me to notice it's connection to the painting. It too had been rolled around and most likely pounded by the sea.
A little softening of the contrasts and areas of the wave and the painting is now complete.
At the Brink mixed media on canvas board 30x30cm ©2025LisaLeQuelenec |
Working on these two pieces simultaneously allowed them to influence and speak to each other. By sharing base materials, format and palette I hope to portray their connection even though each is an extreme of disposition or emotion. I think this series is going to be a challenge, interesting but a challenge.
Both of these paintings are available in my Etsy store.
I am slowly easing my way back into work trying to find my thread from before the holidays. I had been picking up from a project half started a long time ago back in the days of home school during the lockdowns... A project inspired by a Norse mythology book shared with my son.
One character captured my imagination, a Goddess named Ran (a personification of the ocean) who possessed a net which gathered sailors drowned at sea. She is both the cause and the consequence. I can't find many mentions of her in the texts that I have read and it is that most likely that elusiveness which has intrigued me....
I have so many notes and post-its and scribbles and thumbnails that I think it is time to start collating my thoughts together.
Sketchbook Snippet - Ran's Net watercolour and watersoluble pencils ©2024LisaLeQuelenec |
Sketchbook Snippet - Ran's Net watercolour and watersoluble pencils ©2024LisaLeQuelenec |
Sketchbook Snippet - Ran's Net watercolour and watersoluble pencils ©2024LisaLeQuelenec |
I have been going back through my notes and experiments - firstly a very textured detail from a collagraph plate using tile adhesive and aluminium foil tape. This was just a small part that I kept as I loved the texture and colours so much. It's not much more than a snippet but I couldn't part with it.
Collagraph printing plate section ©2024LisaLeQuelenec |
Second, a section of a ghost print ( a second printing of a plate without adding extra ink) that I worked into with collage, watercolour and coloured pencil. I regularly make a ghost print as fodder for experimenting with new ideas. I like the idea of work continuing, evolving and a continuous thread connecting pieces and projects - many tides, one ocean.
Another connection for these details is the strong 'V' composition that I seem to regularly circle back to.
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Detail from a print worked into with mixed media ©2024LisaLeQuelenec |
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Piddock shell fragments ©2024LisaLeQuelenec |
Broken but oh so beautiful fragments of piddock shells, inspiring textures and compositions.
Colour inspiration from beach finds ©2025LisaLeQuelenec |
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Broken But Still Beautiful 2024 pencil on paper ©2024LisaLeQuelenec |
All together, 2024's drawing project, broken, seaworn, and stunningly beautiful models. The centre bottom drawing I changed to greyscale for the ensemble, I think I prefer the softer greys to it's original blues.
For 2025's drawing project I think I am going to go with the theme of spirals so I am sure (well I know there will be) there will be some shells in there amongst the subjects - maybe some will be whole this time. As this month is racing along I think I will need to make a start very soon. I can't quite believe how quickly time has passed since my last post!
I haven't been resting on my laurels quite the whole time, lots of plans have been made and a new project started. Life has just been getting a little bit in the way but onwards and upwards and all that. Anyway, a very happy new year to you all I wish you a happy, healthy and creative 2025.
Broken But Still Beautiful I - January mixed media drawing 30x21cm ©2024LisaLeQuelenec |
Broken but Still Beautiful II - February pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful III - March pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful IV - April pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful V - May pencil on A4 paper ©2024LisaLeQuelenec |
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Broken but Still Beautiful VI - June pencil on 33x75cm paper ©2024LisaLeQuelenec |
Broken but Still Beautiful VII -July pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful VIII - August pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful IX - September pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful X October pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful XI - November pencil on A4 paper ©2024LisaLeQuelenec |
Broken but Still Beautiful XII - December pencil on A4 paper ©2024LisaLeQuelenec |