Thursday, 28 April 2016

Ideas and experiments



seasidestudiosblog.blogspot.com ©2016LisaLeQuelenec
Snippets a montage of ideas and notes   mixed media   ©2016Lisa Le Quelenec




Where to start? I have so many ideas half baked, scraps of paper with little experiments, workings out, notes in sketchbooks....all jostling for attention. I've decided to take a little break from blogging for a few weeks whilst I get my 'house' in order. It's also time for a good literal studio Spring clean as well as the mental one. Believe it or not this is a tidied desk - I can't show you the horror that lies in the other direction!





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Studio desk   ©2016Lisa Le Quelenec

Monday, 18 April 2016

Along the Jurassic coast path



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The Wind Whistled   etching   3.2x10cm   ©2016Lisa Le Quelenec
The Jurassic coast footpath covers 95 miles of beautiful scenery, stretching from Exmouth in Devon to Old Harry Rocks in Dorset. It is England’s first natural UNESCO World Heritage Site and if you have the chance to visit it you will soon see why.

This little etching is from a sketch, a first response, made years ago on one of my first visits. I was struck by the patterns of the fence posts disappearing and leading on through sections of the path. It's not the usual impression people leave with, it doesn't have the iconic romanticism of Durdle Door or Lulworth Cove or any of the other beautiful spots along this bit of coastline. I think it made an impression on me for being so ordinary and overlooked. I liked the pattern it made in the landscape.



This etching is available for purchase here.

Friday, 8 April 2016

Ammonite spiral solar etching





©2016LisaLeQuelenec seasidestudiosblog.blogspot.com

Ammonite   solar etching   14.5x20.5cm   ©2016Lisa Le Quelenec




This what I had been intending to print when I stumbled across the seahorse plate from the previous post...These prints are from a second solar etching plate that I made on the Printmaking Course at Arts University Bournemouth. (For an explanation of the process visit this post Sea urchin - solar etching.) I had decided to do another ammonite plate to be able to compare and contrast the technique and outcome with a small zinc ammonite plate I had etched in the traditional way. (Variations are shown here.)

After experimenting with the inking up and printing of both types of plate I think the outcomes are hard to distinguish between. Maybe the difference would become apparent when printing large editions with one plate wearing down quicker than another. My research hasn't come up with an answer to that, only that both types of plate are very hard wearing. I have enjoyed both processes and can see the advantage of solar etching for my circumstances in not having to use the acid bath to make plates. Whether I can make it work for me using sunlight and not having to have a light box to expose the drawing onto the plate remains to be seen, more experiments to come over summer methinks.






Ammonite   solar etching   14.5x20.5cm   ©2016Lisa Le Quelenec



Both of the above prints are available in my Etsy store Seasidestudiosuk.


Thursday, 31 March 2016

Seahorse etchings


I am still working through some of the etching plates that I made at college, I seem to have made so many.... I remember proofing this zinc plate there and then quite forgetting that I had it until I found it again whilst looking for something else! The something else was quickly forgotten as I was excited to print a few variations from this plate. Each print is quite different in colour going from blue to blue/grey to grey (left to right). As I print I like to adjust the colour modifying it with a bit of this and a bit of that in much the same way as I cook, seasoning as I go along.

The inspiration came from a trip to the Bournemouth Oceanarium where I spent a good half an hour watching a half dozen or so of these beautiful creatures. It is well worth a visit if you are visiting the town.



seasidestudios@hotmail.com ©2016Lisa Le Quelenec
Seahorse - three variations- limited variable edition etching   5.5x16cm   ©2016Lisa Le Quelenec


Each of these prints is available here at my Etsy store Seasidestudiosuk.etsy.com.

Thursday, 17 March 2016

Monoprint and mixed media skimming the breeze



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Skimming the breeze   monoprint and mixed media 21x15

Another monoprint experiment to which I added a little coloured pencil. I cut a paper mask to make the gull shape - it has given me a lot of ideas to think about. I like the contrast in printmaking methods between the painterly looseness of monoprint and the more precise etchings and drypoints. I am filling notebooks at a rate of knots with ideas to further explore. If only there were more hours in the day...

Thursday, 10 March 2016

Coastal calm in watercolour



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Coastal calm   watercolour on paper 22x22cm   ©2016Lisa Le Quelenec





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Sunrise   watercolour on paper 22x22cm   ©2016Lisa Le Quelenec


Two new watercolours available in my Etsy store. I'm looking forward to the spring /summer sun now. Enough of the rain and cold, bring us some warmth. I hope the sun is shining for you.


Monday, 7 March 2016

Experiments with Daniel Smith's Lunar Black watercolour




Lunar black mixes in my colour notebook   ©2016Lisa Le Quelenec
Lunar black sketchbook page ©2016Lisa Le Quelenec




 





















Sketch I - lunar black ©2016Lisa Le Quelenec
Sketch II  - lunar black ©2016Lisa Le Quelenec



I treated myself to a new (to me) watercolour tube of paint on my last order ; Daniel Smith's Lunar Black. What a beauty! I am rather partial to colourful black watercolour as you know and have written about some experiments on the dark side before here and here. Whilst not what I would call a colourful black it does have the most beautiful granulating quality. These images show the first few sketches and tests that I have done using it. I'm still very much at the 'getting to know you' stage of the pigment, experiments so far show how difficult I found it to control the granulating properties but it is definitely a colour that I can see great potential in.......very, very, exciting. I think it will show it's true potential in large scale work and onsite sketching will be another place I use it as I make tonal studies. Time to play I think....




Sketch III lunar black mixes ©2016Lisa Le Quelenec



Thursday, 25 February 2016

Isle of Wight and Old Harry Rocks - etchings


Two etchings in sepia showing views from one end of the bay to the other. The Isle of Wight in the east and Old Harry Rocks to the west were once joined together in the days before the Ice Age. The effect of weather and sea has shaped what we can see today in an endlessly, to me, fascinating way. I love the shapes that are left and how they stand like guardians protecting the sweep of coastline. (In a very literal way with the light house on the Isle of Wight Needles.)



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Across the Bay   etching 6x6cm ©2016Lisa Le Quelenec





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Summer's Eve   etching 6x6cm ©2016Lisa Le Quelenec


Both etchings are available in my Etsy shop here.

Friday, 19 February 2016

A wave in monoprint



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Surf   monoprint and coloured pencil   21x15cm ©2016Lisa Le Quelenec


A little monoprint - just playing with ideas and using up leftover ink. I wonder where it will lead me....

Thursday, 11 February 2016

Dreaming of summer sun



Summer sun   acrylic on paper 13x13cm   ©2016Lisa Le Quelenec


After the storms over the weekend a bright winter sun has made an appearance, I am grateful for the light. I find February the hardest month of the year - the last slog before spring and brighter, warmer days. I always dream of summer heat and walking barefoot on the sand. This little painting is the result of my wishful thinking....and a celebration for being nearly halfway through the month.