Friday, 1 February 2019

Stripes from the shoreline no.1



Stripes from the shoreline no.1   paper collage mounted on paper 15x20.5cm   ©2019Lisa Le Quelenec



The beginning – simplicity. A bold start? I took advantage of the overprinting of colours on the backing paper and the ripped edges showing the pristine white like breaking waves.



Available to purchase from Folksy.

Reproductions and cards available from Red Bubble.

Thursday, 31 January 2019

Stripes from the Shoreline - every day in February 2019



The latest treasures collected from the shore ©2018LisaLeQuelenec





The inspiration for a project has come from a tiny page in a sketchbook that I shared in August 2017 (Time really does fly, I couldn't believe how long it had been when I checked back.) 




Stripes from the shore sketchbook page ©2017LisaLeQuelenec




The notes and small sketches on the A6 pages keep coming to mind as I walk along the beach and notice more and more ‘stripes’ not only in the little treasures that I pick up along the way but also in the actual beachscape itself. From bands of cloud, the bands of waves as they travel to shore and also in the groynes that protect the space from erosion. The more I notice, the more I feel that I need to make some work exploring these patterns. Not only the horizontals but also importantly the verticals that I find in the landscape. 





Stripes from the shoreline   ©2019LisaLeQuelenec





When I look back at my work over the last couple of years, I feel that I can see this motif emerging subconsciously more and more. Now I feel that it is time to recognise it more fully – to name it so to speak. I also have a hankering for making some work in a more abstract kind of manner. I have no sense of how these ideas could develop and feel open to possibilities so I have decided to make a mini project for the month of February a small collage a day to try out and maybe consolidate some ideas.

 
The 'palette'  ©2019LisaLeQuelenec
 
I work better when I have limitations so I have set some boundaries for myself to hopefully achieve a considered approach;
  
Each piece will have a base layer measuring 6.5x6.5cm (2.5x2.5 inch) square.

         Each piece may or may not have elements that break this boundary.   

      The palette will be a range of aqua, grey, white and cream opaque and semi-transparent papers that have been pre-painted or printed.

 Attention will be paid to the weight, balance, tension, edges, tone and texture. 

I may spend no more or less than 30 mins on each piece.   

In the interests of a cohesive body of work each piece will be mounted      onto a white textured backing paper measuring 15x20.5cm (6x8 inch).





I feel quite excited by the project idea. There are so many rabbit holes that I could wander down and the difficulty will be focussing on only one aspect a day. I am hoping to see a progression of ideas that evolve over the four-week period. Intentionally I am going to make an abstract piece as a starting point in the hope that I can brush aside any preconceived ideas – I wonder what will develop…. Tomorrow I will begin.


Monday, 14 January 2019

An art to wintering...



Quote from my sketchbook   ©2019LisaLeQuelenec



I am slow to get started this year. I found this quote in an old sketchbook recently and it resonated with me once again. I am trying to 'hibernate magnificently' ( it involves old sketchbooks and lots of coffee so far) refilling my well of energy and ideas and I am 'turning inward' for a while.

I was very fortunate to be given the book below for Christmas and I have been savouring it. So much of what is written expresses very elegantly what I have been trying to say for a long time. I am enjoying it immensely. I have to say though I was a little disappointed in the books reproductions as they have printed so dark. The work that I know of his is suffused with light - it's what attracts me to his paintings - so it is a shame to see them so dull in the book. However the written content more than makes up for this.

These grey days of Winter can be so tiring but today there is a little sun so I will try to top up my vitamin D with a walk and see what I can see.



Fred Cuming RA - Another figure in the landscape



A belated Happy New Year to all :o)

Friday, 7 December 2018

Season's greetings



Merry Christmas ©2018LisaLeQuelenec


So here we are, just over a couple of weeks until the big day so I will bid you my season's greetings now. I would like to say thank you to everyone for taking time to visit the blog and commenting and those that are reading along in the background this year. It is lovely to be a part of such a friendly and supportive community.

I hope in whichever way you celebrate the holidays and to those that don't that the next few weeks are a filled with peace, good health, happiness and contentment that extend throughout 2019 - lets make it a good one.


Thursday, 29 November 2018

Winter walkies



Winter Walkies    watercolour on paper 40x40cm   ©2018LisaLeQuelenec



The winter walkies I have been experiencing haven't been quite as idyllic as this. Dark, dreary, soaking wet and blowing a gale have been more the order of the day this week but still a girl can dream.... It has made me very thankful for my waterproofs.

Ironically, in a way, water has been the essential element in painting these two pieces with very wet washes, glazing and minimal pigment. I have used a triad of Daniel Smith's sodalite, cobalt blue deep and yellow ochre light again. I love, love, love the granulations they produce and it has been good to work on a slightly larger scale again.


Both paintings are available in my Folksy store Seaside Studios UK.



One Man & His Dog   watercolour on paper 40x40cm   ©2018LisaLeQuelenec

Thursday, 22 November 2018

The beach to themselves



The beach to themselves   collagraph monoprint and mixed media 19x14.5cm   ©2018LisaLeQuelenec



Two collagraph monoprints with added coloured pencil - experiments with materials. I used a variety of materials on the collagraph plates - mostly different textured papers. For the sand ripples above I used sandpaper and in the piece below I glued loose sand to the plate before varnishing. It has given very different effects. As always it seems with collagraph the art is in the inking - I continue to learn with each and every print. It is such a satisfying process.



Last stroll of the day   collagraph monoprint and mixed media 19x14.5cm   ©2018LisaLeQuelenec 


Both are available at Seaside Studios UK on Folksy.


Thursday, 15 November 2018

The mist rolled in



The Mist Rolled In (detail)   watercolour 12x18cm   ©2018LisaLeQuelenec



The Mist Rolled In  watercolour 12x18cm   ©2018LisaLeQuelenec

Subtle tones and barely there colour. A blanket of mist rolls in off the sea masking sight and sound.

(This one wasn't fun to try and photograph, the camera has bleached the colour a little too much.)


Available at Seaside Studios UK Etsy






Thursday, 8 November 2018

First to the sea



Looking for Treats (in progress)   17.5x17.5cm watercolour on paper   ©2018LisaLeQuelenec




First to the Sea   watercolour on paper 8x13cm   ©2018LisaLeQuelenec

Have you ever been to the beach really, really early in the morning before anyone else has arrived with a low tide and pristine virgin sand? You can be alone with your thoughts enjoying the breeze listening to your breath and the sound of your footsteps that dissipates into the big empty stillness as you are slowly warmed by the sun.



The colour chart from a few posts back is certainly coming in useful. Just a touch of colour in the mix and the atmosphere has changed.


These paintings are available at Seaside studios UK on etsy






Looking for Treats   17.5x17.5cm watercolour on paper   ©2018LisaLeQuelenec